And I Live To See Your Face

Grizzly Bear - Sleeping Ute

Daniel Rosen’s distinctive guitar work and satisfyingly complex songs structures have always given Grizzly Bear’s subtly crafted music an holistic quality. Creating a metaphysical space in which the listener can explore the connection between all things; be they man made, natural, spiritual or imaginary. A sensation not unlike staring into the depths a clear lake. Where your eye’s can see all the way to the riverbed, able to focus on the individual depths of detail, without losing the sense of the whole. So when Grizzly Bears newest track, ‘Sleeping Ute,’ threatened to disturb this delicate ecosystem with an ambitiously loud and vibrant new direction, a feeling of great unease swept over me. 

The track opens in a bombast of Rosen's guitars, which expand and contract over dense percussion in beguiling fashion. The sound is bold but never overreaches, confidently replacing the vocal harmonies of classics like, ‘While You Wait For the Others’ or ‘Central and Remote,’ with all manner of layered instruments to elevate the soundscape. Whilst the change is initially jarring and will catch fans off guard, it's worth sticking with. As after repeated listens the beautiful mannerisms and charm of Grizzly Bears music reveal themselves to be unharmed and even more pronounced. Evolving to exciting new highs for a band who were already very easy to admire.

Listen to Sleeping Ute below:
 

Interview - Cloud Nothings

2012 has been a year of reinvention for Cloud Nothings. In January the Ohio quartet, led by Dylan Baldi, released Attack On Memory, their third album in 18 months. The record signaled a shift in direction, moving away from the comfort of indie-pop to a dark, uncompromising and at times ambitious punk sound. It was a bold move which paid dividends. Earning the album a string of high review scores and new army of fans.

Six months on, Cloud Nothings are still riding the wave of hype and are about to embark on a world tour. Before the last show of their UK tour, [edit] radio caught up with Baldi in the paint cracked dressing room of the Leeds based, Brudenell Social Club, to grab a chat about Attack on Memory, the Queens diamond jubilee and a Japanese cafe where you can pay to stroke cats.

Dot To Dot Festival - Manchester - 4/6/2012 Dot To Dot Festival - Manchester - 4/6/2012

As the summer months are upon us and festival season has begun in earnest, ticket holders for camping festivals like Reading or Leeds, all start following the weather forecasts with a little more frequency. Are they going to get fair skies to compliment the £200 worth of music they’ve shelled out for? Or should they prepare for a Bear Grylls survival weekend? Like with all things reliant on weather over the British summer, nothing is certain. 

Maybe thats why day long urban festivals like Dot to Dot have become so popular? They offer a great lineup of venues and rising stars at a fraction of the cost, (a ticket for Dot to Dot was only £20) without the risk of a wash out. Indeed the overcast conditions in Manchester didn’t affect the enjoyment to be had over the 14 hours of exceptional music that Dot to Dot offered it’s attendees.

Modern Masterworks #1 - Hot Chip "In Our Heads" Review

Relationships are tempestuous. In the space of days, (sometimes hours) the exuberance of a love you thought would last a lifetime, can be destroyed in an instant. Whether it’s your fault or theirs, (at the time it’s always theirs) you’ll end up secretly wishing that your ex-love would go and play ‘tag’ with onrushing traffic. As the days pass and loneliness sets in, you spiral into a self-destructive melancholy, where ‘letting go’ is not an option because deep down you’re still in love. Such emotion turmoil has been the inspiration for music (and soap opera plot lines) for countless years and is a theme spit chronologically along the 11 tracks of Hot Chip’s fifth studio LP, In Our Heads.